CV
Dr Tina Kendall
Current Position:
Senior Lecturer in Film & Media
Course Leader, Film Studies
Anglia Ruskin University
East Road
Cambridge
CB1 1PT
United Kingdom
0845 196 2924
Education
1997-2005 PhD in French Studies (Designated Emphasis in Critical Theory), University of California Davis
2001-2002 École normale supérieure, Paris
2001 The School of Criticism and Theory, Cornell University
1998 Institut d'Études Français d'Avignon, Bryn Mawr College
1992-1997 BA in French & Comparative Literature, University of California, Irvine, Cum Laude
Lecturing Experience
2007-Present Senior Lecturer in Film & Media, Anglia Ruskin University
2004-2007 Lecturer in Film & Media, Anglia Ruskin University
2002-2004 Associate Instructor, Film Studies, University of California, Davis
1999-2001 Teaching Assistant, Film Studies, University of California, Davis
Module Leader
Introduction to Film Studies (year 1)
Introduction to Film Theory (year 1)
Theorizing Spectatorship (year 2)
Classical Hollywood Cinema (year 2)
Film, Modernity & Postmodernity (year 3)
Working in English & Film (year 3)
The New Extremism: Contemporary European Cinema (MA)
Seminar Leader
History of Cinema (year 1)
Multiplexed: Contemporary Hollywood Cinema (year 3)
Management and Service
2013-2014 Committee Member, Society for Cinema and Media Studies, Award for Best PhD Dissertation
2013 Jury Member, Strawberry Shorts Film Festival
2009-Present Board Member, Cambridge Film Consortium
2008-Present Course Leader for Film Studies, ARU
Grants & Awards
2014 'Made a Difference' Teaching Award Nomination, ARU
2013-2014 ARU Arts Council Grant (£1500)
2012-2013 ARU Arts Council Grant (£1600)
2012 British Academy/Leverhulme Trust Small Grant (£3460)
2012 'Made a Difference' Teaching Award Nomination
2010 British Academy, Overseas Conference Grant (£500)
Select Publications
Journal Articles:
‘Extreme Memes: O-Faces, Paper Bags, and the Paratexts of Nymph()maniac’ (co-authored with Tanya Horeck) MediaCommons: In Media Res, ‘Extreme Cinema’ 6 May 2014.
‘Idiot Media: The Culture of NekNomination Videos’ (co-authored with Tanya Horeck)
MediaCommons: In Media Res, ‘Circulating Pain’ 2 April 2014.
‘“No God But Cinema”: Bruno Dumont’s Hadewijch’ Contemporary
French & Francophone Studies 17.4 (September 2013)
‘Cinematic Affect and the Ethics of Waste’ New Cinemas: Journal of Contemporary Film 10.1 (June 2013)
‘The New Extremisms: Re-Thinking Extreme Cinema’ (co-authored with Tanya Horeck) Cinephile 8.2, Special Issue on Contemporary Extremisms (January 2013)
‘The “In-Between of Things”: Intermediality in Ratcatcher’ New Review of Film and
Television Studies 8.2 (June 2010)
Edited Publications:
‘Fast/Slow: Variations on Cinematic Speeds’, Tina Kendall, ed. Cinema Journal 55.2, Special ‘In Focus’ section on Cinematic Speed (forthcoming 2015)
‘Tarrying with Disgust’, Tina Kendall, ed. Film-Philosophy 15.1, Special Issue on Disgust (December 2011).
The New Extremism: Contemporary European Cinema, Tanya Horeck and Tina Kendall, eds. Edinburgh: Edinburgh University Press, (July 2011).
Book Chapters:
‘The Aesthetics and Ethics of Snuff in the Films of the New Extremism’, in Snuff: Real Death and Screen Media Neil Jackson, Shaun Kimber, Johnny Walker and Thomas Joseph Watson, eds. London: Bloomsbury (forthcoming 2015)
‘The Still Life: DVD Stills Galleries and the Digital Uncanny’, in Framing Film: Cinema
and the Visual Arts Laura Hubner and Steven Allen, eds. London: Intellect (June 2012).
‘Introduction’ (co-authored with Tanya Horeck), in The New Extremism:
Contemporary European Cinema, Tanya Horeck and Tina Kendall, eds. Edinburgh: Edinburgh University Press, (July 2011).
‘Christophe Honoré’s Ma Mère: Reading Bataille’s Remains in the New European
Extremism’, in The New Extremism: Contemporary European Cinema Horeck and Kendall, eds. Edinburgh: Edinburgh University Press, (July 2011).